Currently in theatres in 🇺🇸 United States
Chelsea, an assistant to an Andy-Warhol-Adjacent underground painter and filmmaker, Kenny Meklor, is roped his narcissistic shenanigans throughout the art world
Homecoming reimagines Homer’s Odyssey. Not so much as a heroic epic, but as a quest for ‘home’ in a world driven by algorithms, screens and ecological insecurity. What does it mean to ‘come home’ when technology constantly connects us, but estranges us from ourselves and our surroundings at the same time?
Georg writes a letter to his distant friend to announce his engagement. This seemingly ordinary act triggers a harrowing confrontation with his domineering Father.
Satire and deconstruction the high art scene with an eyeball-scorching onslaught of mind-blowing narrative madness and honey-laced pathos.
Feels like watching a film from the 1940's but from 2026
Dust to dust. Meat to meat. An expecting couple’s date night takes a dark and horrific turn.
A luxurious yacht getaway for the family of “Big” and “Mac” turns into a nightmare when “Thatchaphon,” Big’s business partner, murders him in front of Mac. “Gina,” Thatchaphon’s daughter, helps Mac escape by jumping into the sea, but the two are separated as the waves sweep them away to a deserted island.
After losing hope in finding happiness, Ashley meets the man of her dreams.
Alberto Angela hosts an episode filmed in the Palace of Versailles with a single sequence shot: a unique opportunity to admire works of art, monumental rooms, and discover the secret passages and most inaccessible areas of the structure.
Alcohol addiction is a constant in Pepa Lubojacki’s family. In an attempt to find a sisterly-brotherly way of dealing with it, text, long-term observation, beats and AI-animated photos are combined into an unflinching, yet loving form of disclosure.
On their way to Comic-Con, a timid guy in an ill-fitting Spider-Man freezes as two bullies humiliate his girlfriend.
A little girl wanders through a seemingly peaceful land, turning it into her playground. Almost everything she encounters becomes a source of play and wonder, as if beauty were everywhere. But behind these images lies a different reality. Driven by authentic testimonies of Palestinian children confronted with war, the film challenges the way we see: what remains of beauty when everything seems destroyed? Between fiction and testimony, this short film explores the strength and beauty of innocence in the face of the world's atrocity.
At the end of 2019, dozens of cans with films made by film students in the 60s and 70s were found at the University of Córdoba. Until then, it was believed that they had been destroyed during the last military dictatorship. Fifty years later, those images are projected again, taking us to an almost unknown period of Córdoba cinema and a time of unprecedented political, social and cultural effervescence. Each frame exceeds its original intention, to tell us about a group of young people passionate about cinema and the interests that mobilized them: psychology, militancy, music, sexual freedom. But the appearance of a strange character linked to the fate of the cans reminds us of the abrupt and violent end of the dreams of that generation.
